Showing posts with label fiction. Show all posts
Showing posts with label fiction. Show all posts

Tuesday, September 30, 2025

The Story of Lennie Johns


ONE DAY AT A TIME is a work of fiction, based on a cartoonish version of a real celebrity. Which means, artistic license was used to create the people, places, and things in this story.

Many will say it's about musician and famous member of The Beatles, John Lennon, and that's hard to dispute. I took inspiration from his life and attributes, but that's as far as it went because when he was killed on December 8, 1980 all ability to wonder about his life ended: what it would be like had the event never happened, and what would he be like as well. My character Lennie Johns required a fictional status because he needed room to grow outside of all that; he needed room to develop his own existence, as well the story needed the same ability to expand. As a writer, that would not have been possible if I'd stuck to any ideas about a real person called John Lennon or anyone else you have in mind. The fact is, there's a lot of Ozzy Osbourne in Lennie Johns and for those who are still mourning his passing, perhaps they'll find comfort in the fact that he, like John, can live in the world of Lennie.  

Let me tell you about Lennie. The time is October 1990, he has woken from a coma after a violent attack, and he is originally from Manchester though he now lies in a hospital in Staten Island. It’s a financial thing. Being in a coma costs money. He used to have a lot of it, but you know how things are. How things are . . . his artist wife Kiko emigrated to Europe to hang out with Andy Warhol with rich financiers and she's a big star. It’d be admirable, really, if it wasn’t so shocking. Lennie thought she loved him but clearly he was wrong about a lot of things. At least he has his two nurses, Candy and Madge, to keep him company, although with his salty words and acerbic ways he fears they too could leave in a revolutionary style of dissention. The thing is, he can’t walk and that means he needs them. When Lennie found out he couldn't walk he felt very alone and . . . what did Ratso say in Midnight Cowboy? Scared. 

Lennie is scared. He can’t walk, he can’t pee, he can’t get out of bed; it’s ten years later and the world has changed. There’s a war in the Gulf and no one seems to remember any of the goddamned wonderful shit he said about Peace and it’s frustrating and . . . he’s scared.  

So when one of his toes moves, then the other, then his entire leg . . . Lennie declares himself a miracle (but not bigger than Jesus), and he and Nurse Madge hit the road for the panhandle. Fun and chaos ensue. Along the way he meets up with his ole bandmates Saul, Dingo, and Jorges and together they write a new hit song called, “Yeah, I Love You.”  

“Are The Bootles getting back together?” That’s the age-old question. Nothing about how his legs work or world peace. Nothing about what he wants now or how much he's changed. He's changed? Yes, but not like the world outside his window. Music's done a 180, people are cut-throat, clothes are different, society is different and it's all a bit too much to accept. His own lawyer Ethan said it best, "You can't get a blow without, well, blow."

If he wasn't so scared, he'd be inspired.

Lennie's trying not to look too far ahead. You can’t do that. You always must be an optimist, even if you're opposed to it. You have to remember to keep a clean pair of underwear, never look back, and continue to take life ONE DAY AT A TIME. And that's exactly what Lennie intends to do. I hope you'll enjoy the journey of Lennie Johns and all the people he meets along that way. 

Amazon bookshop: https://a.co/d/4kKD1rZ

Wednesday, October 11, 2023

The Match

 

  

The Match

 

They met Mondays at a park outside of the city, the one with a tennis court pocked like the moon. He liked her sensibility and how she met him with a smile, with something else hidden behind her eyes. He wanted to ask if she liked her job, how her day had been, but never went on to press. If she appeared happy, he wouldn’t ruin it. Questions about life tended to bring weight to the court. And when she was light, light as moonbeams, he felt light too. 

She arrived three minutes late, car blasting with rock music so loud he heard her before seeing her. Not thrasher rock, not pop rock. Something else. Something young, but he didn’t know what. When she walked past him to the court, clean towel in hand and racket slung across her shoulder, he turned to follow without a word, watching her short bob bounce with every step. 

“Hello, Louise,” he said.

“Hello, stranger.” 

She never said his name: Curtis. Maybe she felt it was too intimate to say out loud.

“The court is ours,” he said.

“Then, let’s play.”

Leaves fell across the tarmac like feathers. The smell reminded Curtis of his childhood, of collection and destruction. The rake, slowly dragging across grass and dirt, scarring roots and rocks, its metal fingers grabbing the leaves, ripping into the dirt, a slow drag, the death of fall, always told of winter coming soon. The passing of All Souls’ Day. Of birds flying, leaving a strict silence. The migration of everything.

She’d asked him straight off to hit the first serve. He’d agreed because it gave him a chance to show off. A good serve was valorous, and to have it come back swiftly, to hit it back swiftly, the steady come and go, it all started with him and that one good arm. Rarely did he miss that serve, or hit the net. Rarely did she miss hitting it back. They were both good for a long pass. Maybe that’s why she agreed to play with him, because his serve and her tenacity. 

Louise’s husband, Yousef, worked in finance. Used to play football, and was a real solid type. A silver fox. Thick hair, graying beyond the temples. Reliable, formidable. Like rock. Like granite. So much like the Twin Towers they worked in each day. South tower, that is. Curtis thought of these things while they played. He liked turning people into symbols. His mind ran constant, like a dripping faucet. He and Yousef had gone to college together and created a bond of friendship, but it wasn’t exactly friendship anymore. It was something else. More business-like, more like being associates or mirrored comrades of the past, but not friends. When Louise had come along, perhaps that was what had changed things. Curtis couldn’t quite be sure, but something, the air, the secularity, their closeness, had evaporated into a new element. And neither spoke about it, or tried to change it, they just let it be.

The best thing about Louise was that she was easy and friendly, not at all like Yousef, so it had become a sort of exchange. Not bad, just different. 

They didn’t talk about Curtis’s wife, Alice, who had been sick for years. She habitually skipped the spousal Christmas party, as well as the tropical-themed Bar-B-Q in July for clients as well as friends. They didn’t talk about her, or mention her absences, and Curtis didn’t mention her sallow, acne-pitted skin, stringy hair, or the bumpy red marks hidden with designer, long-sleeved blouses. It was a difficult subject to bring up, raised his GERD, made him feel uneasy and faded, and one reason he came to play tennis with Louise was to forget Alice, and all of that anyway. 

No, they didn’t mention Alice, nor did they mention Yousef. 

A few months ago, they had started going to lunch after each match, and then after that, out of some aberration of themselves, they rented a room at a nearby Hilton, and made love. It was a relief, a reward. A reward for the winner, though Curtis always felt guilty later if that particular person was him, and he lost the match the next time on purpose as a kind of self-punishment. And yet, why should he feel guilty? All for doing something that felt good and made him human, which other people did all the time. But he was different, had always been, so it felt sinful. It was sinful. Someday Alice would find out, and then what? God, was she broken before, what would she be after?

He threw the first serve and watched it catapult toward Louise, her hair shining like caramel as she shot forward to make the hit, and he wondered what things would have been like if they’d married instead. What would it be like to rise in the morning in the same bed, to not worry about an overdose, or if his wife would end up in court, or worse, prison, after writing another bad check at Macy’s? Louise would be soft and open, secure, that’s what she would be, and no weight or guilt, just them waking up and accepting each day, even if it was a bad day.

The ball flew to his side and he attempted to thwok it back, but it nicked the edge of his racquet and careened into the net. He laughed and retrieved it with an air of embarrassment. “Sorry,” he apologized, and swiftly hit it across. That had never happened. 

They had a decent run, playing through a distraction of children who’d come to play at an adjacent jungle gym, and another couple who’d joined them on the next court. An older couple who were there for the exercise, not to talk or look at each other, although they seemed to enjoy it well enough. Once Curtis caught Louise watching the couple with a sort of fascination while drinking her ice-blue Gatorade, hair wet on the temples and one shoelace untied. Afterwards she took her time tying the lace, sitting on the court like a child left behind, tongue pushed to one corner in concentration. When she stood, she caught him—he’d been staring at her legs—and turned away.

She ran a hand up her arm and to her neck. “Who’s ahead?” she asked, and massaged some invisible enemy under the skin. 

“Oh, that—that would be me,” Curtis said. “You hit it out of bounds last time.”

“Right. You’re right.” She let go of her neck and then swatted the ball across the net to him, skirt flipping curtly behind her. 

He asked later, as they stood by her car, “What was it that fascinated you about the older couple? I saw you watching them.”

“Oh, I don’t know. It was the way they played, as if the whole thing was completely orchestrated. Like they’d played the same exact match many times and hadn’t changed one part of it. They were in complete unison, in a dance, and yet they seemed fine with the monotony.” 

Curtis dared to touch her on the shoulder. Her flesh was warm with deep muscle friction, yet growing Autumn-cold. “You think it would be boring and unpredictable? To be together that long?”

“Maybe,” she replied, and slipped inside her car. “Meet me there?”

“Fine. I’ll meet you there.” He shut her door with a soft click.

After lunch, and at the hotel, the desk clerk acted in a perpetual annoyance, which suited things. It helped to project the negativity of their actions onto him instead. It was always the most embarrassing, most revealing moment. Curtis signed his anonym, as did Louise—he’d chosen Trevor and she’d chosen Stella. And he always paid cash.

Then they took a shower and made love. It was a simple arrangement.

Not exciting, nor groundbreaking.

Sometimes while they had sex Louise asked him to be rough with her. Not physical violence, merely rough penetration and worst of all she liked to be called derogatory names. He didn’t understand it, and he didn’t enjoy doing it. But it was what she had asked, so he complied. 

Then it would be forgotten, and they’d laugh and make jokes while getting dressed. The depression and guilt would seep in later, around dinner, just around twilight when the day was gone and only a cold draft of silence permeated things. Alice, with her silence, and the sunken eyes, those hapless, ever-accusing eyes, because why couldn’t he help her, love her, do more for her as he’d promised to? That was what kind of man he was. But, god he’d tried. 

Twilight held the promise of a dark loneliness.

Curtis stopped Louise before she grabbed her shoes. “We never talk,” he said. Now her skin felt warm and dewy, like his.  

“We talk in bed,” she teased, hair tossing back.

“Yes, but that’s not—I don’t know. What am I trying to say? Oh! I’ve been wanting to ask how things are between you and Yousef, but I can’t seem to ever get it out.”

“We’re fine,” she said, sliding a pale foot into one sneaker after first untying the laces. They looked like webs, her fingers, the spider. “The truth is we fight, we don’t see each other as much as married people should, and we’re both cheating on each other—if that’s any indication. I think he’s seeing another co-worker. Seems to be a pattern.”

Curtis nodded. He knew all about the co-worker, and was shocked Louise had found out as well. 

“Do you ever feel guilty about us?” he asked.

“Sure, of course. We’re sinners. We’re dirty, vulgar people,” she said. “But somehow I don’t feel bad about it. Only mildly.”

Curtis joined her on the bed. He waited for her to be done re-tying the laces. Now her fingers were deft crochet hooks, joining and pulling. Two bunny ears, circle around, go through the mouth; pull tight—that’s what his mother taught him. He himself had taught his son to stick two pieces of Velcro together—not quite the same. Curtis wished now that he’d bought him sneakers with laces, and hung around more instead of leaving him with Alice, but now Trevor was seventeen and didn’t care about learning things or being around fathers. He was a big boy—in college. Gone.

An empty house. Home sweet home.

“I feel guilty, constantly,” Curtis said, and turned to see the time on a bedside digital clock. When he twisted back around, he imagining himself setting a hand on Louise’s thigh. Did he want to do it because he loved her, or because he needed something, to be soothed, to connect? Did he love her? He didn’t know anymore, or himself anymore, or what he got up each morning to accomplish. It was set in a pattern and he merely finished the list. A touch, one daring touch, meant so much more than anything. It meant softness and vulnerability. It meant, communication. Why didn’t they communicate? They made love. But it wasn’t love. And why wasn’t that enough?

He’d failed at so much. And now he didn’t know what was left to give or to receive. 

Louise stared at his hand on the bed then slid/pushed off to go grab her purse. 

“It’s getting late,” she said. “You know how traffic is. Are you ready?”

Curtis stood. He slipped the room key—a plastic card—into his slacks. “We still have a few minutes, but I have a meeting and need to get back early. Louise—”

“Yes?”

“If you ever divorced Yousef, what would you do? Play around, stay single . . .”

“I’d go live on an island.”

He knew she was joking. “Alone?” he asked.

“Yes, alone. No one there but me. I’d like to see what it’s like to not have to worry about men.”

“Oh.” Her answer had been more direct than he’d expected. “What are we?” He wouldn’t ask if she cared for him. 

“We’re sympathizers. You know, we help each other. It’s been rough. Marriage is rough.”

Curtis nodded. “Alice was pregnant two years ago and I figured it wasn’t mine, so I asked her to have an abortion.”

“I don’t know what to say, Curtis.”

“It was a violation. I’m a hypocrite.”

“And if it was yours?” Louise asked.

“Then, I’d be sad. I am sad. It probably was and the only part I played was providing the sex, not anything else. What does that make me?”

“An asshole,” Louise said, then made an addendum. “We all are.”

She reached for the door.

“I’ll go home tonight, Louise, and I’ll feel like killing myself.”

“Don’t kill yourself.” 

“I’ve never told anyone before.” He came toward her and dropped his head onto her shoulder. When he did, he felt relieved, but also weak. “I wouldn’t actually do it.”

Louise didn’t turn around to comfort him, perhaps that would be too much. For her, at least. Instead she stood still as a tree, breathing in and out calmly. Curtis, wanting to forfeit everything in the piquant scent of her neck, lifted his head and decided not to apologize.

“I wish I was stronger,” he said. “I wish I knew how to leave.”

“But you won’t. You can’t. She needs you. That’s the way it is.” 

Outside it had turned cold. A sky devoid of aberration had turned a concrete grey, and on the street a bitter wind threaded through Louise’s damp hair. Beside the driver’s side door Curtis bent down to lay a lackluster kiss her on her lips, the first one ever in a public setting. She allowed it, eyes closed.

“Next week?” he asked.

“I don’t think so. Haven’t we played enough? We’ve sort of figured each other out—I know your moves, you know mine,” her voice weaved into the sounds of the street. 

He nodded. A cycle ending. A match ended. Another one would begin. But with who, and when, and did either of them have enough stamina to proceed with someone else when the real issue was that neither one of them had the tenacity left to play another set? After all, he’d won. How many times could you come out even?

“Yes, I agree,” he said, shutting her door. “But, call me if you change your mind.”

When she turned the key in the ignition the music started up, so raucous it made tremors at his feet. 

“Drive safe!” he shouted at the closing window, then threw up a casual wave. He watched as she sped away into a line of cars, all going one direction. 



Monday, December 12, 2022

Do you or don't you?

 


This is serious, do you love fruitcake or don't you? It's a yanni/laurel type of thing, this. You either love the crumbly packed full of nuts and dried fruits loaf or you don't. Well? Okay, I love it. Don't tell anyone, but every year around this time I go a bit nutty and fruity for the dessert (?). I guess . . . you could call it that. A dessert? The Romans ate it for energy pre-battle like Popeye ate spinach before busting Brutus' obnoxious ass, so I guess to them it was more of a power up, Mario style. Not a dessert. Rum must have changed that. Aye, matey. Hand me that spiced fruit sweet rock before the scurvy hits. But then, there are real reasons to have it around. Rat killer. Free doorstop. How did this start up again? Romans . . . 

Can't remember the first time I tasted fruitcake, but it was probably at a family dinner and when I saw it alone among the puddings and pies I felt some kin of sympathy. I'll try you, I said, then willed my young buds to muster excitement. You're not weird or oddly shaped. There I stood in deep consternation a tall, wiry and freckled auburn-haired teenager still with a Hail Mary on her lips. Let's be honest, if you've already forced yourself to eat the Brussel sprouts, fruitcake isn't that far behind. Anyway, I tried it, and *secretly* went a little wild. Why wasn't anyone gobbling this stuff up like Dan Akroyd sniffing cocaine at SNL second season? The Irish lass in me was aghast and confused. Memories came to the surface--memories of a past life and many hardships. Mashed or fried--loam that is. Hey, fruitcake ain't that bad. But the others . . . seemed to prefer the more obnoxious whipped cream covered cheesecake--sort of a blasé option if you asked me. Boring. Trite. The whole thing was mysterious . . . 

Well, I've never been like the rest, I thought while shoveling it in. 

So there I sat while the others nursed their heart-stopping dairy confectionary and I thought, how can one get back to a buffet without being noticed? Surely, they were all too sauced to care but alas my return sojourn brought ire and much cachinnation: "Look at Amy, she likes fruitcake." Oh, God. The shame. 

As many others, I went into the fruitcake closet (a good place to hide and consume) and suffocated my appetite to a once-yearly limit. Which is good, because that's the only time it's available. By the way, there's mince pie, rum cake, plum pudding . . . Then came an obsession of consuming it with every Christmas Carol adaptation known to man. Let's see . . .  musical or theatrical? Alistiar Sim or Albert Finney . . . Surely, this is okay and perfectly normal. 

You, uh, haven't answered yet. Do you like fruitcake, or don't you? No, no . . . really . . . it's okay. I understand (wink). You don't to have to say. Some things are better left known only by the strong rum, butter and candied fruit vapor coming from your face orifice. 

 




Wednesday, July 27, 2022

Me making a fool of myself, as usual

I thought losing my sweet Henry would get better over time but to be honest it's only gotten worse. That little guy left a rift in my heart that can never be replaced. The song "Tight Connection to My Heart" by Bob Dylan is perfect sentiment--we had such a close connection that is impossible to explain. 



Perhaps to fill the gap or keep my mind off him, I am recording each chapter of my book--and thoroughly embarrassing myself in the process. But what do I care, really? It's fun. And if anyone one, just one person, get enjoyment by listening to it, then that's all I need. I'll be happy. 



Monday, June 3, 2019

Ya'll know I write under a pen name.

photo credit: Web-Betty Pete's Kitchen | Denver, CO via photopin (license)


A girl’s perspective

Sally is wise for her age, tough, bitchy, rude, sweet, depressed, lonely and desperate for change in the small town she lives in. So when Gerald Vick drives up in his Hollywood Cadillac touting a modeling op, she goes for it--no holds barred. And him. The problem is, what does she really know about the crazy Hollywood photographer, and how much is she willing to risk finding out?
Love and Lust at the Dairy Stop Cafe is free for download right now. A tip: listen to the Janis Joplin channel on Pandora for a great experience while reading.
As always, thanks for stopping by!

Tuesday, July 5, 2016

Time Slip

Unknown artist



In The Love Seekers, Emma—frustrated with boyfriend and upcoming rock star Jesse—steps into a gallery to cool off and collect herself. She's so mad she might just buy every painting and put them on Jesse's bill. But there's one that puts her mind at ease: a rainy scene in New York, a sea of umbrellas, a fountain with one tiny flower floating along the surface. It's the flower that does it. She decides right then and there that she has to have the painting—for herself, not Jesse. As she stares, the lines blur; Emma feels rain against her skin, she hears the pulse of the traffic nearby, the cloth and the heat of the people walking close—all from a time decades ago. It's the same era William lives in, but she must never see him again.

She doesn't buy it. She can't go back in time, or change time, and she can't go back and be with him, because things have changed.

Hint: The painting shows up later in the book. To find out why and what Emma does when she faces one of her biggest decisions in life, you'll have to read The Love Seekers, out now and available for purchase at Amazon.

Thanks for reading!

Friday, May 13, 2016

When your character is a brat




photo credit: Winter is coming via photopin (license)


Hello there, beautiful people. Today I thought I'd write something about the writing process, and one of the struggles a writer goes through when creating and molding their characters. From the beginning, I had trouble with the way Emma came out. Was she too wish-washy, too bold, too aggressive? Did she even come across as anything at all? I never had trouble with Jesse or William—somehow they established themselves in my mind exactly as they appear in the book. But Emma, being the go-between, gave me trouble because she was the one who had to react, and her reactions had to draw the reader in, not push them away.

Mind you, I liked Emma from the start. I understood her, sympathized with her, but early responses from some of the first drafts left me worried. She was bland; she didn't react enough, didn't do anything. She just sat there and let things happen. Boring. Then she turned into a bitch. She talked back to her mother, acted incredibly stupid sometimes, was reckless, bitter, and most of all, angry. One agent called her mercurial. Truly, I was furious at myself because deep down I knew what I wanted her to be, but my fears of rejection had gotten in the way and twisted things around. So, I said, forget everyone. I'm rewriting this, and Emma is going to be what she is: good, bad, or stupid.

In the second book the same thing happened, and in the third—the last part of the series. I asked myself, why does Emma keep showing up so harsh and bitchy for me? What am I doing wrong?? Nothing. I just finished the proof edits and there's something magical that happens when you read your novel start to finish with a critical eye—you give up the ghost, so to speak. You stop fighting what your intuition is telling you to do. It's okay for Emma to be a brat, just like it's okay for most of us in real life from time-to-time. It's allowed. Why? Because we change, we evolve. Life molds us into a better person, but in the beginning, and sometimes throughout the middle, we're total brats. Sometimes we suck. Emma transforms and becomes a beautiful woman who wants to make good choices for herself and others, and just like the rest of us, she doesn't stay in one mode forever. I'd call that awesome. I love that she's allowed to be her worst self, because later on we see such a beautiful girl—a girl I created years ago and love now like a child.

Have you ever acted like a brat but it taught you a lesson? Or, did someone else's bad behavior teach you something about yourself, even if it hurt to admit it? Thanks for reading and have a great weekend!

Wednesday, April 22, 2015

Green-Eyed Jealousy (the artistic kind)

Okay, I admit it: I get jealous sometimes. Not in relationships, not with money, but with creative things. Madly jealous. It started in seventh grade when I noticed a 'friend' had better art skills than me. This feeling built in my gut like I wanted to push her off a cliff and watch vultures rip her fingers off. I've kind of sort of gotten over this, but not completely. There's this new movie coming out called The Age of Adaline about a young woman who receives the fountain of youth from a horrible car wreck (cleverly mixed with a bolt of lighting), and it's got me feeling a bit uneasy. Cool stuff and I should have thought of it! Back five years ago when that whole time travel, non-ending life thing was going around, I did try to come up with something similar, but was fully steeped in Seekers mode. Except, oh yeah, wait, that's totally what I was doing. The Soul Seekers and The Time Seekers are all about time and history and a young woman stuck in the middle of it all; never-ending life and love. Not to brag or anything, but I can't help but notice the similarities to Emma and William in the movie (I mean, the male lead really looks a lot like William. Hot.) But is that a bad thing? No. It's actually really great. My hope is that whoever watches the film will hunger for more . . .  and promptly go out and buy my novels!

 The Holy Grail

Shew, glad I got that off my chest!

So . . . have you ever felt the heavy, sick, evil pangs of jealousy with any person or any thing in your life, and what did you do about it? 

Peace.
 


New project

 Well in other news, I’ve begun to write a screenplay about the summer George Harrison traveled to the US. Trying to get kickstarter funding...